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The Viewpoints Book: A Practical Guide to Viewpoints and Composition

The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with-space and time-into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.

The Viewpoints are a set of names given to certain principles of movement through time and space-they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.

Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.

Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice's Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz.

Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.

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The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated...

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Pages: 240, Paperback, Theatre Communications Group

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ProductReviews93/100 (5 Reviews)

Recent Reviews

5/5
From: Amazon
Posted: Nov-07-2007
Bogart and Landau Are the Best

I have worked with both Anne Bogart and Tina Landau and grew to appreciate their unique approach. It is good to see their way of working in print finally. The book is a great resource for all who have some appreciation for what goes...

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4/5
From: Amazon
Posted: Mar-08-2007
Viewpoints

I wanted a good, basic look at Viewpoints and this book has been exactly what I hoped it would be. It is to the point but still offers enough explanation to make sure the reader understands each viewpoint. If you want a good, basic...

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4/5
From: Amazon
Posted: Jan-11-2007
Indeed a "practical guide"

This book was highly recommended to me by a dancer friend, and I've found it to be extremely useful for dance improvisation sessions I'm leading with a group of non-dancers. The authors offers numerous exercises that groups can build on,...

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5/5
From: Amazon
Posted: May-26-2006
Must Own

This book is a must-own for actors looking to learn about the physical traning of Viewpoints.It's great, and practical, and you'll find yourself learning.A must for every actor's shelf.

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Selected Reviews

5/5
From: Amazon
Posted: Nov-07-2007
Bogart and Landau Are the Best

I have worked with both Anne Bogart and Tina Landau and grew to appreciate their unique approach. It is good to see their way of working in print finally. The book is a great resource for all who have some appreciation for what goes...

read full review | report as inappropriate
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